85% Cuts In Proofing Time And Costs
Epilogue Imaging, a retouch and post-production company, has reduced its proofing costs and production times by a claimed 85 per cent after investing in an in-house digital proofing system.
Epilogue Imaging, a retouch and post-production company, has reduced its proofing costs and production times by a claimed 85 per cent after investing in an in-house digital proofing system.
It comprising GMG's Colorproof 04 colour management software driving Epson's 7600 and 4000 inkjet printers all supplied Turning Point Technologies.
"We needed to find a tighter, quicker way to operate so we opted for a GMG/Epson proofing system and it has been one of the most financial and productive moves we have ever made," explained Allan Finamore, a director of Epilogue Imaging.
A digital retoucher, works closely with fashion photographer Nick Knight and was responsible for producing the last 15 Christian Dior advertising campaigns, as well as cover shoots for Vogue and album covers for Craig David, Massive Attack, Madonna, Robbie Williams and the Rolling Stones.
Finamore added: "Before we invested in the GMG/Epson system, outsourcing all our proofing was becoming increasingly expensive and could take up to a day to process.
We can now produce our own proofs in-house in minutes." It is vital for Finamore and his team that the proofs produced are spot-on and are of the highest quality, so that every detail is clear, the colours are accurate and the company can have total confidence when showing its clients.
Hours are spent pouring over different proofs, comparing the tiniest of changes, so the proof needs to be absolutely perfect.
"We have had so many good reviews from our clients saying the matches are excellent and, with TPT's technical support, it's a winning combination.
TPT's post-sales service and support has been superb and its colour team is very knowledgeable.
I have worked with colour experts in New York, Paris and London and these guys are the best I've worked with," concluded Finamore.
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